“We made the short and the feature in response to a bunch of romantic comedies that were about unplanned pregnancy and ended in childbirth,” she explains. “I liked Knocked Up a lot, and I liked Juno and Waitress. But they are the reason why we made this movie as a reaction. I enjoyed watching them, but it didn’t ring true to me.”

The choice to terminate a pregnancy is rarely shown anywhere in our culture, she continues: “Especially in movies, they never let the woman make the other choice — or even say the word ‘abortion.’” (x)

ln the end, we had pieces of the puzzle, but gaps still remained. Oddly-shaped emptiness, mapped by what surrounded them, like countries we couldn’t name. What lingered after them was not life, but the most trivial list of mundane facts a clock ticking on the wall, a room dim at noon, the outrageousness of a human being thinking only of herself.